Sweeney Todd Chichester/london
#591
Posted 15 August 2012 - 07:38 PM
#592
Posted 16 August 2012 - 10:44 AM
poster J, on 15 August 2012 - 05:23 PM, said:
Michael Ball was ok, but didn't make me go 'wow', same with the ensemble, and I thought some of the other leads were quite out of tune at points, wasn't that impressed with any of their vocals.
I don't know if it's because I was sitting towards the back of the stalls, but I thought the standard of diction in general was pretty poor - I frequently struggled to make out what was being said or sung, and the sound balance was way off at times as the music drowned out soloists.
The set design was clever and the lighting good, but there was nothing in this production that would make me rush back, which is disappointing given the calibre of the cast.
i totally agree
Broadway has been very good to me. But then, I've been very good to broadway.
#593
Posted 16 August 2012 - 12:05 PM
Grease, Joseph and the Amazing Technicolour Dreamcoat, The Phantom of the Opera, Hairspray, Oliver, Billy Elliot, Wicked, Priscilla Queen of the Desert, Les Miserables x 3, Sweeney Todd, The Book of Mormon x 2, Once, The Curious Incident of the Dog in the Night-Time.
On Tour:
Joseph and the Amazing Technicolour Dreamcoat, Cats, Matthew Bourne's Swan Lake, Matthe Bourne's Nutcracker, Legally Blonde, Chicago, Private Peaceful, Lyric Hammersmith/Filter Productions A Midsummer Night's Dream, Russian State Ballet's Swan Lake, Teatro Kismet's The Snow Queen, Teatro Kismet's The Little Mermaid, One Man Two Guvnors, West End Men, Matthew Bourne's Sleeping Beauty
Regional:
Charlotte's Web, The Borrowers, The Lion, the Witch and the Wardrobe, The Witches, Simply Cinderella, Oliver, West Side Story, Finding Neverland x 3, Piaf, The Hired Man x 2.
Booked:
The Book of Mormon (West End)
My twitter account:
https://twitter.com/imjeanvaljean
Follow me if you want x
#594
Posted 16 August 2012 - 12:21 PM
#595
Posted 16 August 2012 - 12:57 PM
poster J, on 15 August 2012 - 05:23 PM, said:
Michael Ball was ok, but didn't make me go 'wow', same with the ensemble, and I thought some of the other leads were quite out of tune at points, wasn't that impressed with any of their vocals.
I don't know if it's because I was sitting towards the back of the stalls, but I thought the standard of diction in general was pretty poor - I frequently struggled to make out what was being said or sung, and the sound balance was way off at times as the music drowned out soloists.
The set design was clever and the lighting good, but there was nothing in this production that would make me rush back, which is disappointing given the calibre of the cast.
I agree 100% , was expecting too much i think after all the hype, Michael Ball was good but not as good as i had expected, saw him in Hairspray a few years ago and thaught he was much better in that, Imelda Staunton was BRILLIANT, loved her, great comic timing and grat performance, but the rest of the leads i thaught were very weak for a west end show. Set design was clever as you said but a bit simple for my taste, I know something like sweeny isnt going to have a flashy set or anything but think a lot more could be done with it, i loved the gothic look in the film version and think that could have been Incorporated a bit more to the set of the show.
#596
Posted 16 August 2012 - 02:40 PM
mrtheatre123, on 16 August 2012 - 12:57 PM, said:
Set design was clever as you said but a bit simple for my taste, I know something like sweeny isnt going to have a flashy set or anything but think a lot more could be done with it, i loved the gothic look in the film version and think that could have been Incorporated a bit more to the set of the show.
The sets for Sweeney have always, while still in the Victorian era, reflected on the industrial revolution (an idea by Hal Prince when he directed it in 1979) which is why it's not the gothic looking Victorian cobblestones, brick walls, lampsts and fog like you'd see in Oliver! or anything by Dickens.
This production however is still industrial yet had a kick up to the depression of the 1930's hence the flashy "Lovett's Hot Pies" sign and black shop shutters. The show is also a transfer from Chichester, a theatre with a thrust stage, which is why it's simpler and fixed.
#597
Posted 17 August 2012 - 09:54 PM
However, the programme did not list Jason Manford as being in it so when Pirelli was on I assumed it was someone else only to see from the cast list in the foyee in the interval that it was Jason. Well done. He can sing, act and do the accents,
#598
Posted 26 August 2012 - 06:53 PM
Thanks
#599
Posted 09 September 2012 - 09:11 AM
I was hoping to get a souvenir brochure but they had all sold out (on the website also).
Does anyone know where I'd be able to get one?
Grease, Joseph and the Amazing Technicolour Dreamcoat, The Phantom of the Opera, Hairspray, Oliver, Billy Elliot, Wicked, Priscilla Queen of the Desert, Les Miserables x 3, Sweeney Todd, The Book of Mormon x 2, Once, The Curious Incident of the Dog in the Night-Time.
On Tour:
Joseph and the Amazing Technicolour Dreamcoat, Cats, Matthew Bourne's Swan Lake, Matthe Bourne's Nutcracker, Legally Blonde, Chicago, Private Peaceful, Lyric Hammersmith/Filter Productions A Midsummer Night's Dream, Russian State Ballet's Swan Lake, Teatro Kismet's The Snow Queen, Teatro Kismet's The Little Mermaid, One Man Two Guvnors, West End Men, Matthew Bourne's Sleeping Beauty
Regional:
Charlotte's Web, The Borrowers, The Lion, the Witch and the Wardrobe, The Witches, Simply Cinderella, Oliver, West Side Story, Finding Neverland x 3, Piaf, The Hired Man x 2.
Booked:
The Book of Mormon (West End)
My twitter account:
https://twitter.com/imjeanvaljean
Follow me if you want x
#600
Posted 09 September 2012 - 12:52 PM
http://shallicompare...blogspot.co.uk/
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