Posted 12 July 2013 - 09:53 PM
Posted 19 July 2013 - 10:31 AM
A beautifully lit, detailed design, nicely paced production. The Duchess is just right for it.
Bowing report since it's creating a stir: Henry and Moodie did a bow together after a company bow, then she stepped back and he took a solo bow. All left the stage, Henry returned. Solo bow, then full company bow.
Don't get how Moodie is on the third page of the programme biogs with a tiny picture, whilst Ako Mitchell and Peter Bankole (though both v strong) have big pictures on the second page. Doesn't seem fair to me, esp as their parts are smaller.
And thanks to lovely folk of the Duchess Box Office, I got upgraded from my front row seat (view looked ok from there actually) to a prime seat in the centre of row G. Look about 2/3s full tonight. A diverse audience too. Not just the white conservative middle classes which seem to make up a large proportion of the West End's play audiences. It's true that if you programme diverse stuff, your audience will change with it. This, and the YV, are prime examples.
Posted 27 July 2013 - 08:40 AM
Posted 27 July 2013 - 01:50 PM
Posted 22 August 2013 - 10:27 PM
Also tagged with Duchess Theatre
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